Résumé
full-length plays
Loki’s Monstrous Children
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Staged reading, Benchmark Theatre, Denver, Colorado, October 2019.
The Never Summer
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Production, Feral Assembly, Denver, Colorado, August 2019.
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Reading, Madlab Theatre. Columbus, Ohio, October 2018.
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Reading, And Toto Too Theatre Company, May 2017.
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Finalist: Clubbed Thumb’s 2016 Biennial Commission (for commission proposal and exploratory pages).
Coyote. Badger. Rattlesnake. (Co-written with Buntport Theater)
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Production, Buntport Theater, Denver, Colorado, November-December 2018.
The Wave That Set the Fire
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Production, MadLab Theatre, Columbus, Ohio, October 2018.
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Production, Athena Project, Denver, Colorado, March 2017.
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Finalist, 2014 O’Neill National Playwrights Conference.
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Finalist, 2014 Global Age Project, Aurora Theatre, Berkeley.
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Semifinalist, 2014 Seven Devils Theatre Conference.
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Selection, 2014 Last Frontier Theatre Conference.
The Familiars (commissioned by the Edge Theatre)
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Production, Edge Theatre, Lakewood, Colorado, December 2014.
Crasher/Hostess
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Workshop production, On the Edge: a Festival of New Plays, Edge Theatre, Lakewood, November 2012.
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Workshop of selected scenes, On Your Feet! at the Edge Theatre, Lakewood, April 2011.
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Staged reading, Chameleon Stage, Denver, April 2009.
How We May Know Him (commissioned by Paragon Theatre Company)
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Production, Paragon Theatre Company, April - May 2007.
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Staged reading, Paragon, June 2006.
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Winner, Best Original Play, Westword’s Best of Denver, 2008.
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Nominee, Henry Award for Best New Play and Best Play of the Year, 2007.
Genius of Love
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Filmed production in three episodes, Feral Assembly, February 2016.
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Staged reading, Denver Center Theatre Company, May 2003.
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Staged reading, Chameleon Stage, Denver, November 2002.
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Staged reading of selected scenes, US West TheatreFest, Denver Center Theatre Company, June 2002.
The Night Season
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Production, Feral Assembly, Denver, August - September 2014.
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Staged readings: Paragon Theatre Company, Denver, March 2003; Chameleon Stage, Denver, October 1999.
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Finalist, Rocky Mountain Theatre Association New Play Award, 2000.
The Axe Man
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Production, Colorado Women Playwrights Festival, Industrial Arts Theatre, Denver, March-April 1998.
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Staged reading, Chameleon Stage, Denver, October 1997.
short plays
“Home” (ten-minute)
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Production, Otherworld Theater, Chicago, 2019.
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Production, Madlab Theatre, Columbus, May 2019.
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Production, The Navigators Theatre Company, New York, New York, January 2019.
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Reading, Benchmark Theatre Company, Denver, Colorado, October 2018.
“Valeria: A Fugue in Four Acts” (four ten-minute plays, commissioned by Stratus Chamber Orchestra)
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Production, Stratus Chamber Orchestra, November 2016 through March 2017.
“The Hundred Nails” (one-act)
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Production, Boulder Museum of Contemporary Art, Boulder, September-October 2000.
“Beauty is that Medusa’s Head” (ten-minute)
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Production, Changing Scene, Denver, May-June 1997.
“What the Good Man Does is Always Right” (one-act)
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Production, Colorado Women Playwrights Festival, Industrial Arts Theatre, Denver, January-February 1997.
screenplays
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“Minerva Black and the Killer Robot Army” (six-part web serial). Premièred at the Bug Theatre, Denver, November 2018.
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Winner, Best Acting Ensemble, IndieX Film Fest, Los Angeles, 2019.
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Official Selection, NYC WebFest, New York, 2019.
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Nominee, Best Original Concept Award, NYC WebFest, New York, 2019.
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“Tearfully So” (short, adapted from a story by G. Wencel). Production completed December 2011.
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"Here Come the Brides!" (feature). Premièred at the Bug Theatre, Denver, November 2005.
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“The Gulon” (short). Premièred at the Bug Theatre, Denver, October 2004.
education/honors/professional affiliations
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Finalist, 2014 Shakespeare’s Sister Fellowship, A Room of Her Own Foundation.
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Dramatists Guild of America, 2008 to present.
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Playwrights Unit, Denver Center Theatre Company, 2001 through 2003.
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Bachelor of Arts, English Language and Literature (with honors), the University of Chicago, 1995.